Scroll to the bottom for the video, because why wait a moment longer?
Most of my creative pursuits seem to end up in a state of perpetual incompleteness, which is why it is such a pleasant surprise to me that, just this once, I completed something – and only fourteen months later than anticipated. From the time that I started this project on May 2, 2013, days before I closed the book on my TAPIF year, to the same day in 2014, I recorded a one second video clip each day.
A lot happened: I destroyed my computer, crossing my fingers as I salvaged months of shoulda-woulda-coulda been lost footage; I struggled with the limitations of iMovie, screamed at every spontaneous shutdown, made myself a snack each time it froze, and powered through clunky workarounds (365 times, no less). And that’s just the technical side of things! It says nothing of all the moments that actually made the days worth recording in the first place, from the exceptional (touring the falls at Plitvice) to the ordinary (time spent with friends).
A one-second clip on its own isn’t particularly interesting it turns out and it wasn’t until I strung together about sixty of them that I started to see anything at all. Half a dozen times I have tried to take a photo a day and I’ve never made it more than a week; to think I’d have a different experience with moving pictures (a medium with which I had much less practice) seemed like I was setting myself up for disappointment.
But I did it. Every day. Sometimes not until moments before the clock struck midnight, but I did it all the same. Not every day was photogenic, and there are way too many clips highlighting what I had to eat for dinner that night (like a horrible, foodie instagram come to life!), but it certainly paints an accurate portrait of the year. Even the bad stuff, like an angsty evening scribbling in a journal, and the aftermath of a bicycle accident, my worst injury to date.
If there is anything that I would want to change, though, it’s not any of the moments themselves, but rather how I captured them. In still photography, I am hopelessly shy about working with human subjects – friends or strangers, and while I was more confident when my images were moving, I could have pushed myself to invite more animate subjects into the frame.
But in the end, I really enjoyed the process of making my little film, and am so happy with the final result. I’m a better videographer for it! Most importantly, a big thank you to all who got in front of the camera; I always tried my best to make you look good (it was easy). Glad you’re in my life.
Let’s end the text before I get too nostalgic…I thought the point of a video was that I could avoid having to write! Oh well…I’m done! Action!